Premiere Pro Video Cut Starts Again

Adobe Premiere Pro User Guide
Beta releases
1. Beta Program Overview
2. Premiere Pro Beta Dwelling house
Getting started
1. Go started with Adobe Premiere Pro
2. What's new in Premiere Pro
3. Release Notes | Premiere Pro
4. Keyboard shortcuts in Premiere Pro
5. Accessibility in Premiere Pro
Hardware and operating system requirements
1. Hardware recommendations
2. System requirements
3. GPU and GPU Driver requirements
4. GPU Accelerated Rendering & Hardware Encoding/Decoding
Creating projects
1. First a new project
2. Open projects
3. Motion and delete projects
4. Work with multiple open projects
5. Work with Project Shortcuts
6. Backward compatibility of Premiere Pro projects
7. Open up and edit Premiere Rush projects in Premiere Pro
8. All-time Practices: Create your own project templates
Workspaces and workflows
1. Workspaces
2. FAQ | Import and export in Premiere Pro
3. Working with Panels
4. Windows bear upon and gesture controls
5. Utilize Premiere Pro in a dual-monitor setup
Capturing and importing
1. Capturing
  1. Capturing and digitizing footage
  2. Capturing HD, DV, or HDV video
  3. Batch capturing and recapturing
  4. Setting upwards your organisation for Hard disk drive, DV, or HDV capture
2. Importing
  1. Transfer files
  2. Importing still images
  3. Importing digital sound
3. Importing from Avid or Concluding Cutting
  1. Importing AAF project files from Gorging Media Composer
  2. Importing XML project files from Final Cut Pro vii and Final Cut Pro Ten
4. Supported file formats
5. Digitizing analog video
6. Working with timecode
Editing
1. Sequences
  1. Create and change sequences
  2. Add clips to sequences
  3. Rearrange clips in a sequence
  4. Discover, select, and group clips in a sequence
  5. Edit from sequences loaded into the Source Monitor
  6. Simplify sequences
  7. Rendering and previewing sequences
  8. Working with markers
  9. Scene edit detection
2. Video
  1. Create and play clips
  2. Trimming clips
  3. Synchronizing audio and video with Merge Clips
  4. Render and replace media
  5. Undo, history, and events
  6. Freeze and agree frames
  7. Working with aspect ratios
3. Sound
  1. Overview of audio in Premiere Pro
  2. Sound Track Mixer
  3. Adjusting volume levels
  4. Edit, repair, and meliorate sound using Essential Audio panel
  5. Automatically duck audio
  6. Remix sound
  7. Monitor clip book and pan using Sound Clip Mixer
  8. Audio balancing and panning
  9. Avant-garde Sound - Submixes, downmixing, and routing
  10. Audio effects and transitions
  11. Working with audio transitions
  12. Apply furnishings to audio
  13. Measure audio using the Loudness Radar effect
  14. Recording audio mixes
  15. Editing sound in the timeline
  16. Audio aqueduct mapping in Premiere Pro
  17. Utilise Adobe Stock audio in Premiere Pro
4. Advanced editing
  1. Multi-photographic camera editing workflow
  2. Editing workflows for characteristic films
  3. Set up and use Head Mounted Display for immersive video in Premiere Pro
  4. Editing VR
5. Best Practices
  1. Best Practices: Mix audio faster
  2. Best Practices: Editing efficiently
Video Effects and Transitions
1. Overview of video effects and transitions
2. Effects
  1. Types of furnishings in Premiere Pro
  2. Apply and remove effects
  3. Effect presets
  4. Automatically reframe video for different social media channels
  5. Color correction furnishings
  6. Change duration and speed of clips
  7. Adjustment Layers
  8. Stabilize footage
3. Transitions
  1. Applying transitions in Premiere Pro
  2. Modifying and customizing transitions
  3. Morph Cut
Graphics, Titles, and Animation
1. Graphics and titles
  1. Overview of the Essential Graphics console
  2. Create a title
  3. Create a shape
  4. Check spelling and Find and Supplant
  5. Apply text gradients in Premiere Pro
  6. Add Responsive Design features to your graphics
  7. Apply Motion Graphics templates for titles
  8. Replace images or videos in Motion Graphics templates
  9. Apply data-driven Motion Graphics templates
  10. Best Practices: Faster graphics workflows
  11. Working with captions
  12. Spoken language to Text
  13. Speech to Text in Premiere Pro | FAQ
  14. Upgrade Legacy titles to Source Graphics
2. Animation and Keyframing
  1. Adding, navigating, and setting keyframes
  2. Animative effects
  3. Use Motion consequence to edit and animate clips
  4. Optimize keyframe automation
  5. Moving and copying keyframes
  6. Viewing and adjusting effects and keyframes
Compositing
1. Compositing, alpha channels, and adjusting clip opacity
2. Masking and tracking
3. Blending modes
Color Correction and Grading
1. Overview: Colour workflows in Premiere Pro
2. Auto Color
3. Get artistic with color using Lumetri looks
4. Adjust color using RGB and Hue Saturation Curves
5. Correct and match colors betwixt shots
6. Using HSL Secondary controls in the Lumetri Color panel
7. Create vignettes
8. Looks and LUTs
9. Lumetri scopes
10. Brandish Color Management
11. HDR for broadcasters
12. Enable DirectX HDR support
Exporting media
1. Consign video
2. Export Preset Manager
3. Workflow and overview for exporting
4. Quick consign
5. Exporting for the Web and mobile devices
6. Export a still image
7. Exporting projects for other applications
8. Exporting OMF files for Pro Tools
9. Consign to Panasonic P2 format
10. Best Practices: Export faster
Collaboration: Frame.io, Productions, and Team Projects
1. Collaboration in Premiere Pro
2. Frame.io
  1. Install and actuate Frame.io
  2. Use Frame.io with Premiere Pro and After Effects
  3. Frequently asked questions
3. Productions
  1. Using Productions
  2. How clips piece of work beyond projects in a Production
  3. Best Practices: Working with Productions
4. Squad Projects
  1. What's New in Team Projects
  2. Get started with Team Projects
  3. Create a Squad Project
  4. Add and manage media in Squad Projects
  5. Collaborate with Team Projects
  6. Share and manage changes with Team Project collaborators
  7. Archive, restore, or delete Team Projects
Working with other Adobe applications
1. Afterwards Effects and Photoshop
2. Dynamic Link
3. Audience
4. Prelude
Organizing and Managing Assets
1. Working in the Project panel
2. Organize assets in the Projection panel
3. Playing assets
4. Search assets
5. Creative Cloud Libraries
6. Sync Settings in Premiere Pro
7. Consolidate, transcode, and annal projects
8. Managing metadata
9. Best Practices
  1. Best Practices: Learning from broadcast production
  2. Best Practices: Working with native formats
Improving Performance and Troubleshooting
1. Ready preferences
2. Reset preferences
3. Working with Proxies
  1. Proxy overview
  2. Ingest and Proxy Workflow
4. Cheque if your system is compatible with Premiere Pro
5. Premiere Pro for Apple tree silicon
6. Eliminate flicker
7. Interlacing and field club
8. Smart rendering
9. Control surface support
10. Best Practices: Working with native formats
11. Knowledge Base
  1. Known issues
  2. Fixed bug
  3. Green and pinkish video in Premiere Pro or Premiere Blitz
  4. How practise I manage the Media Enshroud in Premiere Pro?
  5. Set errors when rendering or exporting
  6. Troubleshoot issues related to playback and functioning in Premiere Pro
Monitoring Assets and Offline Media
1. Monitoring assets
  1. Using the Source Monitor and Program Monitor
  2. Using the Reference Monitor
2. Offline media
  1. Working with offline clips
  2. Creating clips for offline editing
  3. Relinking offline medInstia

Find the ease of editing clips in Premiere Pro: how you tin can quickly set In and Out points, trim clips in the Timeline, piece of work with sound waveforms, and more.

In and Out points define a specific portion of a prune or a sequence. Marking is the process of setting the In and Out points of a prune. The In indicate is the first frame you want to include in a sequence. The Out indicate is the last frame you include in a sequence. In a typical workflow, In and Out points for a clip are marked in the Source Monitor.

Adjusting a clip's In and Out points after it is edited into a sequence is called trimming. Typically, trimming clips modify how they play back in a sequence. For example, equally you view the edit, you want to cutting to the incoming clip a piddling sooner than you originally planned while marker clips. To fix that problem, trim the clip using trimming tools in Premiere Pro.

Clips can be edited in the Source Monitor, Program Monitor, or on the timeline. You can trim clips by dragging the border of a clip. A clip's "edge" is a prune'due south In or Out signal or edit point. Y'all can edit multiple clips at the same time. Specialized tools allow you lot to trim an edit indicate easily and accurately, reducing the number of steps involved and maintaining the integrity of the sequence.

In that location are many keyboard shortcuts available for the job of trimming, however, several of them aren't set by default. To prepare trimming shortcuts, go toEdit > Keyboard Shortcuts (Windows) orPremiere Pro > Keyboard Shortcuts (Mac OS).

Working with audio clips in the Source Monitor

Y'all can piece of work with audio clips, and audio from audio and video clips in the Source Monitor. You can view audio waveforms, scrub sound waveforms, and zoom in and out on audio waveforms.

View sound waveforms

When an audio prune is opened in the Source Monitor, audio waveforms appear automatically. You can view the audio waveforms for clips containing multiple sound channels when opening them in the Source Monitor.

To customize the fashion of the audio track, click Timeline Display Settings, the wrench tool on the timeline panel. To display audio as waveforms in the timeline, select Bear witness Audio Waveform.

Scrub the audio waveform

Scrubbing is when you drag the playhead beyond a segment of sound waveform. Information technology is an efficient way to navigate in an audio clip.

To open up a clip in the Source Monitor, double click the clip in the timeline panel. The playhead appears when you click the audio clip. Click beyond the prune, forward or astern, to motion forth or scrub the clip.

To remove scrubbing, go to Edit > Preferences > Audio and deselect the option Play audio while scrubbing.

Zoom in or out on an audio waveform in the Source Monitor

Y'all can zoom into an audio waveform in the Source Monitor to meliorate identify locations for markers, In points, or Out points.

To open it in the Source Monitor, double-click on an audio clip in the Projection panel or Timeline console.

To zoom in horizontally, drag either finish of the zoom scrolling bar that runs below the time bar in the Source Monitor.

The waveform of all channels and the fourth dimension bar expands or contract horizontally.

To zoom in vertically, practice one of the following:

To zoom in on a single aqueduct, elevate either terminate of the vertical zoom bar. It is side by side to the decibel ruler on the correct side of the Source Monitor.
To zoom in on all channels simultaneously, Shift-drag either end of the vertical zoom bar.

The waveform of ane or all channels and the decibel ruler expands or contract vertically.

Return to default vertical zoom level

To return to the default vertical zoom level, double-click the vertical zoom bar.

Return to previous vertical zoom level

After returning to the default zoom level, double-click the vertical zoom bar. It allows you to return to the previous zoom level.

In Apple MacBook Pro computers, yous can movement two fingers on the trackpad vertically or horizontally on the zoom scroll bar to zoom in and zoom out on audio waveforms. To scrub sound, move two fingers vertically or horizontally anywhere in the Source Monitor except the zoom scroll bar.

Working with clips in the Source Monitor

The Source Monitor console holds versatile tools, and methods for working with clips. You can use tools and techniques to set, move, or remove In and Out points, cue the playhead to any of these points, or preview the frames at their locations.

Open a prune in the Source Monitor

To open a clip in the Source Monitor, double-click the clip in the Projection panel or Timeline console.

Open up and view recent clips from the Source Monitor

You can load more than one clip at a fourth dimension in the Source Monitor. However, you can view only i clip at a time. Recently loaded clips are available from a card at the top of the Source Monitor. Click the three stacked linesnext to the sequence name and cull a prune from the drop-downwardly list. Alternatively, you can utilise Shift + 2 key to cycle through each of the clips in the Source Monitor.

Set In points and Out points in the Source Monitor

To marking an In signal: Elevate the playhead to the frame you want. Then click the Mark In button, or press the I key.

To mark an Out point: Drag the playhead to the frame you want. So click the Mark Out button, or press the O key.

In and Out selection in Source Monitor — In and Out option in Source Monitor

After y'all mark In and Out points, y'all can always alter your listen earlier you edit the clip into the sequence. Elevate the In or Out points to a new position in the fourth dimension ruler. You lot can too drag the playhead to a new frame and apply the Mark In or Mark Out buttons to set new In or Out points.

Movement In point and Out indicate together

The In/Out Grip is an icon nowadays at the heart of the textured expanse betwixt the In and Out points. To move the In and Out signal together, hold and elevate the In/Out Grip to a dissimilar position on the Source Monitor fourth dimension ruler. When you lot click the In/Out Grip, the cursor changes to a hand. Make sure that you drag the icon; otherwise, you simply cue the playhead.

The In and Out points move together, keeping the elapsing betwixt them abiding.

This technique also works with sequence In and Out points using the Programme Monitor or a Timeline panel.

Adjusting edit points in the Source Monitor

Set the In and Out points in the Source Monitor.

Edit the prune into the Timeline.

Double click the clip to load it into the Source Monitor.

Viewing in and out frames this mode works only with clips that yous've opened in the Source Monitor from a sequence.

Cue to an In point or Out point

You utilize the Source Monitor to cue a frame for a clip and the Plan Monitor to cue the current frame for a sequence.

Cue to the previous or next edit

Yous tin use the down arrow fundamental for the Go To Next Edit Bespeak control and the up arrow primal for the Become To Previous Edit Betoken control. This command works across all tracks, selected or non.

To get to the next edit in any of the targeted tracks in the Timeline, click theBecome To Next Edit Point button. To go to the previous edit in any of the targeted tracks, click theGo To Previous Edit Point button.

The Go To Adjacent Edit Point and Go To Previous Edit Point buttons are non bachelor by default. You can find these buttons in the button editor. It is present in the lower right corner of the Source Monitor.

Remove source clip In betoken or Out bespeak

To open up it in the Source Monitor, double-click a clip in the Project panel.

Cull from the post-obit three commands:

Marker > Clear In
Mark > Clear Out
Marker > Clear In and Out

Timeline clip instances are not source clips. It is non possible to remove In points or Out points from timeline clips which have been loaded in the Source monitor.

Timeline trimming

You tin trim clips quickly in the timeline using a combination of trim tools and keyboard shortcuts to select and adjust edit points.

Selecting edit points

Before you lot can employ timeline trimming techniques, it is important to select edit points for clips in the Timeline start. You tin select edit points with the mouse, or by using keyboard shortcuts.

Selecting edit points with the mouse

To select an edit point on the Timeline, click with the mouse to position the playhead.

The Selection tool is the default tool in the timeline. Clicking the edit point with the Pick tool chooses a Trim In or Trim Out edit point selection, depending on which side of the edit point you select. Moving the Trim In or Trim Out points is called a regular edit.

The Ripple Edit Tool closes gaps acquired by the edit and preserves all edits to the left or right of the trimmed clip. Clicking the edit betoken with the Ripple Edit tool chooses a Ripple In or Ripple Out edit point selection, depending on the side of the edit signal you click. If you lot use Ctrl-click (Windows) or Command-click (Mac Bone) on the edit signal with the Ripple Edit tool, the cursor shows the Rolling Edit tool.

The Rolling Edit Tool trims the In point of one and the Out point of the other, while leaving the combined duration of the two clips unchanged. Clicking the edit point with the Rolling Edit tool selects both sides of the edit signal.

Track targeting does not affect choice of edit points when using the mouse. Dragging, as opposed to clicking and releasing the mouse to select an edit point, both selects an edit point and performs the trim.

Using modifier keys with trim tools

Utilise the Alt (Windows) or Choice (Mac OS) modifier primal to override normal linked‐prune selection. Simply one prune in the linked selection is selected. This technique is useful for setting upwardly a divide edit (50 or J‐cut).
Use the Shift modifier key to add or remove other edit points to the current selection.
You tin combine both the Alt (Windows) or Option (Mac Os) key and Shift to ignore linked clip selection while adding or removing other edit points from the electric current selection.
Choose Edit > Preferences > Trim (Windows), or Premiere Pro > Preferences > Trim (Mac OS), to set the Permit Selection tool to choose Rolling and Ripple trims without modifier key. It changes the way that the Ctrl-click (Windows) or Command-click (Mac OS) modifier key works with the Choice tool. If the preference is checked, then the utilize of the modifier primal is inverted.

Trimming in Timeline gaps

Yous can select the edit point of an empty gap between clips and use timeline trimming commands.

Regular Trim: This technique works the same as selecting the clip side of the edit point for the opposite direction. For example, selecting a Trim Out on the right side of an empty gap is equivalent to selecting the Trim In of the side by side clip.
Rolling Trim: If ane side of the edit point is an empty gap and so it behaves the aforementioned as a regular trim.
Ripple Trim: Trimming the gap would move the edit indicate and shift all trailing clips. Trimming the gap includes the adjacent clip, in a dissimilar position but with its In point remaining the same.

Selecting theShift clips that overlap trim point during ripple trimming cheque box in the Preferences dialog box (Edit > Preferences > Trim) shifts the overlapping track items during a ripple delete.

You can select an edit point (or change the trim type of an existing edit point) by right-clicking an edit bespeak. From the context menu choose ane of the following items:

Select multiple edit points

Multiple selections of edit points are possible, including more than one per track. Apply the Shift key with any trim tool to select more than edit points. You can also drag to select multiple edit points. To select multiple edit points, drag a marquee around a grouping of clips.

If at that place are other edit points selected besides the one that you click, and so they all modify their blazon to the selected type. The Utilize Default Transitions carte detail applies the electric current default video or sound transition to each of the currently selected edit indicate locations.

Keyboard shortcuts for edit point selection

There are keyboard shortcuts for selecting edit points that employ the playhead position and runway targets. For more data, come across Keyboard shortcuts in Premiere Pro.

Unlike selecting with the mouse, edit points on linked clips are not automatically selected unless the associated tracks are too targeted.

There are 5 "Select Nearest Edit Bespeak" shortcuts you can assign in the Keyboard Shortcuts dialog box, 1 for each type of trim:

Select Nearest Edit Point every bit Ripple In
Select Nearest Edit Point as Ripple Out
Select Nearest Edit Betoken as Trim In
Select Nearest Edit Point as Trim Out
Select Nearest Edit Point as Rolling

If the playhead is non already at an edit point, it is moved to the nearest edit signal either forrad or backward. And so the edit points at the playhead on all targeted tracks are added to the current edit point selection, using the blazon of trim for the detail shortcut. Y'all can use the menu item (or shortcut) for Deselect All to deselect edit points before using these shortcuts to start a new selection.

It moves the playhead to the closest edit point on the targeted tracks. They maintain edit betoken option at the playhead on targeted tracks, using the same blazon of trim as the previous selection. When there is no active edit indicate option, these shortcuts simply motion the playhead.

In trim fashion, you lot can move to the next and previous edit points with the same shortcuts without leaving trim way and edit points remain selected.

It moves the playhead to another selected edit signal, except that all tracks are considered, non only targeted tracks. The playhead is moved, but edit points do non move. This shortcut exits trim mode.

Information technology cycles between the types of trims in the current edit point selection. The trim type is changed from the electric current blazon to the next type in the order.

Performing a Timeline trim

Trims can be performed in the Timeline three different ways:

The edit points can exist dragged with the mouse to a new position in time.
Keyboard shortcuts can be used to trim all selected edit points to the correct or the left by one or more frames.
On the numeric keypad "+", "‐" and the Enter cardinal can be used to trim all the selected edit points forward, or backward.

When using the numeric keypad to type several frames to trim, you practise not need to type the "+" sign when entering positive numbers.

The keyboard shortcuts and the +/‐ keypad entry tin can as well be used in the Program Monitor in trim mode. In add-on, at that place are several buttons and other user interface elements such as the video displays in the Programme Monitor that tin can be used to perform a trim during trim style. See Working in trim mode.

You can only trim a clip longer until y'all encounter another clip in the same rail, and you cannot perform a trim beyond the duration of the media in the prune. When trimming multiple tracks, you can trim until either you encounter another clip in the same track, or you reach the duration of the shortest clip in the group.

Performing ripple trims tin can cause clips on different tracks to go out‐of‐sync. To limit which tracks shift during a ripple trim, toggle Sync Lock or Toggle Track Lock on tracks. Out‐of‐sync indicators draw in the visible part of a clip in the Timeline, not just at the head of the clip. If you zoom in or scrolling so that the caput isn't visible, y'all tin still see that a clip is out‐of-sync with its linked parts.

Trim by dragging with the mouse

After selecting one or more edit points, you can simply elevate the edit betoken selection in the Timeline to perform a trim. While dragging, the cursor changes to the appropriate trim blazon based on the edit point that is clicked to starting time the elevate.

When dragging an edit point with the mouse in the Timeline, the trim snaps to other edit points, markers, and the playhead if the Snap button is on. To toggle snapping on or off, apply the keyboard shortcut S.

Trim with keyboard shortcuts

The following keyboard shortcuts perform a trim whenever in that location is an active edit betoken selection, even if y'all are non in trim mode. If the full trim cannot exist performed, the amount allowed is used and a tool tip indicates that the trim is blocked or express past media or minimum elapsing.

Trim Backward and Trim Forward

Moves the edit points past ane frame in the specified direction (left for astern, and right for forward).

Trim Backward Many and Trim Forrard Many

Moves the edit points by five frames, or some other number of frames which is settable in the large trim get-go preference. To change the large trim offset, choose Edit > Preferences > Trim (Windows), or Premiere Pro > Preferences > Trim (Mac OS), and then enter a new number of frames for large trim get-go.

Extend Selected Edit to Playhead

Moves the selected edit bespeak which is nearest the playhead to the position of the playhead, much similar a rolling edit.

The existing Extend Previous Edit to Playhead and Extend Adjacent Edit to Playhead are still available, since they operate on clips on targeted tracks without needing an active edit point selection.

Ripple Trim Previous Edit to Playhead and Ripple Trim Adjacent Edit to Playhead

Ripple trims the previous or next edit point to the Playhead. You do not demand to select an edit indicate to perform a ripple trim to playhead edit. Like the Extract command, a ripple trim to playhead edit does not bear upon clips on other tracks that are locked or not sync-locked, simply all other tracks will have the region ripple-deleted. Sequence In and Out points are not affected.

A ripple trim to the playhead at the beginning or ending of a clip is sometimes chosen "Meridian and Tail" in editing terminology.

Trim with numeric keypad entry

You can specify a numeric offset using the numeric keypad whenever at that place is an active edit point selection, even if you lot are non in trim mode. When the Timeline is active, the current timecode indicator on the left becomes a text box that shows the numbers that are typed on the numeric keypad. The "+" key moves the trim forward to the right, increasing in time (you lot can omit the "+" key, and type a number). The "‐" key moves the trim astern to the left, decreasing in fourth dimension. The numeric offset is typically a small-scale number of frames, and so any number from 1 to 99 is treated equally frames. If you want to specify a timecode, and so use the numeric menstruation key "." to carve up the minute:2nd:frame parts for timecode entry. Press the numeric keypad Enter fundamental to perform the trim using all of the currently selected edit points.

When the Program Monitor is in trim mode, then you can also use the numeric keypad to perform a trim when the Program Monitor is active.

You tin change a prune'south In point or Out bespeak by dragging its edit indicate with the pick tool in a Timeline panel. Equally you drag, the current In or Out signal appears in the Program Monitor. A tool tip displays the number of frames that you are trimming: a negative value if y'all are dragging the edge toward the beginning of the sequence and a positive number if you are dragging toward the stop of the sequence. Y'all cannot trim by the original In and Out points of the source footage.

Click the choice tool and practise i of the following:

To edit the In point, drag the left edge of the clip once the Trim-in iconappears.

To edit the Out indicate, drag the correct edge of the clip once the Trim-out iconappears.

Trimming in this way affects but a unmarried clip's edit point and doesn't touch next clips. As you lot trim with the Option tool, a gap in the Timeline is left behind. To trim multiple edit points at once or to shift side by side clips, run across Making ripple and rolling edits in the Timeline and Make sideslip and slide edits.

To trim just one track of a linked clip, press Alt (Windows) or Option (Mac OS) as yous click with a Trim icon. Only one clip is selected. You do not need to hold downwardly the Alt (Windows) or Selection (Mac Os) cardinal once y'all initiate the trim.

Trim with the playhead

You lot tin trim a clip in a sequence to the location of the playhead. Even so, fix these keyboard shortcuts to do and then first:

Trim In Bespeak To Playhead
Trim Out Signal To Playhead
Select Nearest Edit Point as Trim In
Select Nearest Edit Point as Trim Out

To set keyboard commands for trimming, come across Customize or load keyboard shortcuts.

Making ripple and rolling edits in the Timeline

In Premiere Pro, you lot can perform a ripple or rolling edit directly on the tracks in the Timeline using the Trim style.

About ripple and rolling edits

When you want to adjust the cut, or edit signal, between 2 clips, employ variations ripple edits and rolling edits. By using specialized tools, you can make adjustments in a unmarried action that would otherwise require multiple steps to attain. When you perform ripple and rolling edits with trim tools, the affected frames appear in the Program Monitor adjacent. Select an edit point with the Ripple Edit or Rolling Edit to trim a clip.

The Rolling Edit Tool trims the In signal of ane and the Out signal of the other, while leaving the combined duration of the 2 clips unchanged. Clicking the edit indicate with the Rolling Edit tool selects both sides of the edit point.

To trim but one rails of a linked clip, press Alt (Windows) or Option (macOS) as you perform a carve up edit (L-cut or J-cut).

The Ripple Edit Tool closes gaps caused by the edit and preserves all edits to the left or right of the trimmed clip. Clicking the edit point with the Ripple Edit tool chooses a Ripple In or Ripple Out edit indicate pick, depending on the side of the edit indicate you click. If you use Ctrl-click (Windows) or Command-click (macOS) on the edit point with the Ripple Edit tool, the cursor shows the Rolling Edit tool.

To trim only 1 track of a linked clip, press Alt (Windows) or Option (Mac Bone) as you perform a split edit (L-cut or J-cut).

Select the Rolling Edit tool.

In a Timeline panel, drag left or right from the border of the clip you want to modify. The aforementioned number of frames added to the prune is trimmed from the adjacent clip. Alt-elevate (Windows) or Pick-drag (Mac OS) to touch only the video or audio portion of a linked clip.

Brand rolling edits (extend edits) with the playhead

You lot can move the In point or Out betoken of a clip in a sequence to the playhead, without leaving gaps in the sequence. This type of editing is sometimes called extending an edit, or using extend edit commands.

Make a rolling (extend) edit to the playhead

Click a track header to target the track containing the clip you desire to trim.

Drag the playhead to the location in the sequence to which you want to extend the clip In point or Out point.

Click the Rolling Edit tool, and and then select the edit betoken.

Cull Sequence > Extend Selected Edit to Playhead, or press E.

If there is non enough media to extend to the playhead, Premiere Pro extends the clip to the cease of the bachelor media.

Select the Ripple Edit tool.

In a Timeline panel, hover the pointer over the In or Out point of the prune you desire to change until the Ripple-in iconor the Ripple-out iconappears. Drag left or right. Subsequent clips in the track shift in time to compensate for the edit, but their durations remain unchanged.

When using the Selection tool, you can toggle from the Trim-in or Trim-out icon to a Ripple edit icon past pressing the Ctrl (Windows) or Command (Mac OS) cardinal. Release Ctrl (Windows) or Command (Mac Bone) to revert to the Selection tool.

Make skid and slide edits

Just every bit ripple and rolling edits allow you to arrange a cutting between two clips, sideslip and slide edits are useful when you want to adjust two cuts in a sequence of three clips. When y'all employ the Slip or Slide tool, the Program Monitor displays the four frames involved in the edit side past side, except when editing audio only.

Though Skid and Slide tools are typically employed on the center of 3 next clips, each tool functions normally even if the clip is adjacent to a clip on one side and blank space on the other.

Make a slip edit

A slip edit shifts a clip'southward In and Out points forrad or backward by the same number of frames in a single action. Past dragging with the Skid tool, you can change a clip's starting and ending frames without irresolute its duration or affecting adjacent clips.

Select the Skid tool.

Position the arrow on the clip you desire to adjust, and drag left to motility the In and Out points after in the prune, or drag right to movement the In and Out points earlier in the clip.

Premiere Pro updates the source In and Out points for the clip, displaying the result in the Program Monitor and maintaining the prune and sequence duration.

Program monitor during a slip edit — Program monitor during a skid edit

Keyboard shortcuts to slip a clip

You can use keyboard shortcuts to skid a clip in a Timeline. To skid a clip, select a clip (or multiple clips), and and then utilise 1 of the following keyboard shortcuts.

Activeness	Keyboard shortcut
Sideslip clip option left v frames	Windows: Ctrl+Alt+Shift+Left Mac: Option+Shift+Command+Left
Slip prune selection left one frame	Windows: Alt+Shift+Left Mac: Selection+Command+Left
Slip clip selection correct v frames	Windows: Ctrl+Alt+Shift+Right Mac: Choice+Shift+Command+Correct
Slip clip selection right one frame	Windows: Alt+Shift+Correct Mac: Option+Command+Right

When performing a slip edit with keyboard shortcuts, information technology is helpful to have the playhead placed on the clip y'all are slipping and so that you can run across the sideslip edit being performed. Yous can use this method to align a video activity with an audio cue.

Make a slide edit

A slide edit shifts a prune in time while trimming adjacent clips to compensate for the move. As yous drag a clip left or correct with the Slide tool, the Out point of the preceding clip and the In point of the following clip are trimmed by the number of frames you move the clip. The clip'south In and Out points (and hence, its duration) remain unchanged.

Select the Slide tool.

Position the arrow on the prune you lot want to conform, and elevate left to movement the Out point of the preceding prune and the In signal of the following clip before in fourth dimension, or drag right to move the Out point of the preceding clip and the In point of the post-obit prune after in time.

When you release the mouse, Premiere Pro updates the In and Out points for the adjacent clips, displaying the upshot in the Program Monitor and maintaining the clip and sequence elapsing. The only change to the clip y'all moved is its position in the sequence.

Keyboard shortcuts to slide a clip

Yous can utilise keyboard shortcuts to slide a prune in a Timeline. To slide a clip using keyboard shortcuts, select a clip (or multiple clips), and and so use one of the following keyboard shortcuts.

Activeness	Keyboard shortcut
Slide prune option left five frames	Windows: Alt+Shift+, Mac: Pick+Shift+,
Slide clip selection left one frame	Windows: Alt+, Mac: Pick+,
Slide prune choice right five frames	Windows: Alt+Shift+. Mac: Option+Shift+.
Slide clip selection correct 1 frame	Windows: Alt+. Mac: Option+.

Nudging clips

You tin move clips frontward or backward in the Timeline by ane frame at a time, or past a large frame offset. This command is called "nudging". When you lot are nudging a clip, you lot are moving it forwards, or backward in the timeline. When the clips being nudged are next to another prune, information technology overwrites clips every bit you nudge.

To nudge clips, select a clip, or multiple clips, and and so apply 1 of the following keyboard shortcuts.

Activity	Keyboard shortcut
Nudge prune selection 5 frames to the left	Alt+Shift+Left (Windows) Control+Shift+Left (Mac Os)
Nudge clip selection 1 frame to the left	Alt+Left (Windows) Command+Left (Mac Os)
Nudge clip selection 5 frames to the right	Alt+Shift+Correct (Windows) Command+Shift+Right (Mac Os)
Nudge clip selection one frame to the right	Alt+Right (Windows) Control+Right (Mac Bone)

Making split edits

You tin create a dissever edit past unlinking the video from the audio in adjoining clips in a sequence, and then trimming audio separately from video so that the video of one overlaps the sound of the other. Typically, a rolling edit (or extend edit) is used for this task.

To trim simply one track of a linked clip, press Alt (Windows) or Pick (Mac OS) every bit y'all perform a split edit (Fifty-cut or J-cutting).

Piece of work in trim way

Trim mode is the country where the Program Monitor is in a special trim style configuration. Certain keyboard shortcuts, push button clicks, and J-K‐L playback perform trim operations, similar ripple or rolling edit. These behaviors are all function of dynamic trimming. Trim style is ideal for fine-tuning an edit. While working in trim mode, yous trim by adding or subtracting frames from the edit point every bit the edit plays dorsum in a loop in dynamic manner.

It is not necessary to loop playback in trim mode to refine edit. Some editors prefer to intermission playback, and then click buttons, (or apply J-M-L keyboard shortcuts), and then begin looping over again. Editors employ trim mode for such tasks as, refining dialogue, pacing a chase scene, or creating split up edits.

Trim mode interface

The Programme Monitor switches some of its buttons and the user interface to evidence a simplified 2-upward brandish when in trim mode. It switches back to the standard Program Monitor configuration when exiting trim mode.

Within the Program Monitor, the video plays in a 2-up configuration, temporarily expanding and covering both left and right sides with a single video view. The trim buttons and shift counters are placed direct below the video. All the sequence'south video tracks are composited together and the audio heard during playback is all of the sequence's audio tracks mixed together. The playhead loops in the Timeline during playback so that yous can see the range of time that is being played.

trim_mode_interface

A. Outgoing edit pointB. Incoming edit bespeakC. Trim type IndicatorD. Outshift counterE. Trim backward 5 framesF. Trim backwardK. Add default transitionH. Trim frontwardsI. Trim forward 5 framesJ. Inshift counter

Entering trim mode

Prior to inbound trim mode, a good strategy is to select one or more edit points with a trim tool in the Timeline. These selected edits remain intact one time you enter trim way. You can also enter trim mode without selecting edits ahead of time.

To enter trim fashion, exercise one of the following:

Choose Sequence > Trim Edit (or press the Shift + T key).

If in that location is an agile edit point selection, the playhead moves to the nearest selected edit point. If there is no edit point selected, then the playhead automatically moves to the nearest edit point on the targeted tracks. Edit points are selected on the targeted tracks with the trim blazon set up to a rolling edit regardless of the currently active tool. If the Program Monitor is already in trim way, then press the Shift + T fundamental to toggle out of trim mode.

You lot can at present trim clips in trim manner. To begin trimming, see Reviewing trims.

When double-clicking an edit point that has already been selected, be sure to use the same tool and same modifier keys that yous used to initially select the edit point, since the first click reselects the edit indicate based on the standard option rules. The Plan Monitor appears in trim mode automatically.

In the Timeline, you can select boosted edit points inside the aforementioned sequence and remain in trim manner. Y'all can as well make changes in the Timeline such as zooming in/out, scrolling, or changing track pinnacle, and remain in trim mode. If you lot are already in trim way, you tin use the keyboard shortcuts for Go to Next Edit Point and Get to Previous Edit Point and select new edit points and remain in trim manner. If yous are not in trim mode, then these shortcuts move the playhead rather than select edit points.

To exit trim way, see Exit trim mode.

Reviewing trims

To review the currently applied trims while the edit point selection is withal active and you are in trim mode, press the Play button, or the Spacebar. The playback loops around the current edit point selection, playing from a specified prerolling fourth dimension before the start edit point and catastrophe a specified postrolling time afterwards the terminal edit point. The prerolling and postrolling settings are set in Edit > Preferences > Playback (Windows), or Premiere Pro > Preferences > Playback (Mac OS).

To stop playback, press the Play button or keyboard shortcut again, and the playhead is moved to the selected edit point nearest wherever you finish.

Trim mode playback looping

To loop playback around the playhead position instead of the entire edit point pick, enable Playhead position determines trim monitor loop playback in Edit > Preferences > Trim (Windows), or Premiere Pro > Preferences > Trim (macOS).

J-K-L dynamic trim

When in trim mode, you can use combinations of the three shuttle keyboard shortcuts (J-Chiliad-L) to play the clips and perform a trim based on the location of the playhead when playback stops. For details nigh using keyboard shortcuts for shuttling, run into Using the J, K, and L keys to shuttle video.

The type of the edit signal at the playhead is used to make up one's mind which side is played. For Ripple Out or Trim Out, the left side view is played. For Ripple In or Trim In, the correct-side view is played. For a rolling edit, both sides are played.

If you attain the media limit of the trim (no more than heads or tails), playback pauses merely the trim is not performed until you explicitly stop playback. This technique allows you to play back or single‐step or shuttle in the opposite management until you find the verbal frame for the trim.

You can dynamically trim footage one frame at a time using J-G-L shortcuts. First select the edit point, then press the K key, and then tap either the J, or the L keys.

Refining Trims in trim way

While playing in trim style using Play, which begins playback in a loop, you lot tin can brand further refinements to the selected edit points using buttons or keyboard shortcuts. Each time the loop plays back footage, you tin alter the trim by clicking buttons, or pressing shortcuts. Each trim y'all perform is immediately committed to the sequence. The edits update in the Timeline, although the resulting change merely appears in the Program Monitor on the next loop. Proceed to adjust and review the edit until y'all are satisfied with the trim.

Move on to trimming the next edit indicate past using the Go to Next Edit Point or Go to Previous Edit Bespeak shortcuts (the up arrow, and down arrow keys), or stop playback, if you have finished.

Use the following techniques to refine your trim:

Employ the Trim Forward and Trim Backward buttons to trim by one frame at a time. The keyboard shortcuts for trimming forward or astern past one frame at a time are as follows:
- Press Ctrl+Left to trim backward. Press Ctrl+Right to trim forward (Windows).
- Press Option+Left, to trim backward. Printing Option+Correct to trim forward (Mac OS).
Utilize the Trim Forward Many and Trim Astern Many buttons to trim past multiple frames at a time. The keyboard shortcuts for trimming frontwards or backward by multiple frames at a time are as follows:
- Press Ctrl+Shift+Left to trim backward. Press Ctrl+Shift+Right to trim forward (Windows).
- Printing Option+Shift+Left, to trim backward. Press Option+Shift+Correct to trim forward (Mac Bone).
Use the numeric keypad "+" or "‐" commencement entry to trim by the specified numeric get-go.
Use the Apply Default Transitions to Selection button to add together the default audio and video transitions to the edit signal.
Utilize the Edit > Undo and Redo card commands or shortcuts to change the trims during playback.

A typical editing workflow would exist to first assemble the sequence using insert and overwrite edits. And then, refine your trims by moving from ane edit to the side by side in trim mode, using shortcuts.

Trim tools in trim mode

Inside the trim mode interface, and when playback is paused, use any trim tool, including the Pick tool, to drag beyond a clip to trim. If you drag over either clip, a ripple trim is performed. If you drag between the two clips, a rolling trim is performed. If y'all drag the Selection tool with the Ctrl key (Windows), or Command fundamental (Mac OS) held downwardly on the outgoing prune, a regular trim is performed on that side of the edit. If yous drag with the same modifier central held down on the incoming clip, a regular trim is performed on that side of the edit.

The behavior of dragging across clips in trim mode on the edit point is the same as it is with the trim tools in the Timeline. Dragging to the left trims backwards, and dragging to the right trims frontward.

Exit trim mode

Trim mode requires that at least 1 edit point is selected and that the playhead is positioned at 1 of the selected edit points. Any activeness that clears the edit betoken selection or moves the playhead away from an edit bespeak exits trim style.

To exit trim way, practise ane of the following:

Click the Timeline.
Utilise the Sequence > Trim Edit menu command, or press the Shift + T central.
Close the Program Monitor with a carte du jour particular, keyboard shortcut, or workspace panel operation.
Scrub the playhead, or utilise any other Timeline or Programme Monitor navigation control that moves off a selected edit point such as Step Forward or Step Astern.
Select or drag clips, or select or alter any other object in the Timeline.
Switch focus to another sequence.

Keyboard shortcuts for trim mode

The Play/Stop Toggle keyboard shortcut starts or stops the playback. It is bachelor when you lot are in trim mode, and defaults to the Spacebar key.
Use the Trim Frontwards and Trim Astern shortcuts to trim by one frame at a time.
Utilise the Trim Forrard Many and Trim Backward Many shortcuts to trim by the Big Trim Offset frames at a time (the default is ready to five frames). The Large Trim First value tin be inverse in Edit > Preferences > Trim (Windows) or Premiere Pro > Preferences > Trim (Mac OS).

Trimming and the History panel

The History panel shows each trim adjustment every bit an individual entry, whether using the keyboard, clicking one of the buttons or using J‐K‐Fifty shortcuts. Entering or exiting trim mode does not change the entries in the History panel, and then you lot tin withal undo i or more of the trim adjustments that were fabricated during any trim way session.

Slip and slide edits in trim fashion

Since more than i trim edit point can be selected on a unmarried rails, it is possible to set upwardly slip and slide edits past choosing a pair of opposing ripple edit points on the same track. After the edit points are prepare, yous tin use keyboard shortcuts to complete the trim either in the timeline, or trim mode. Edit points can be Shift-selected to sideslip and slide multiple clips at the same time, also.

Slip edit in trim mode

For details nearly skid edits with the Slip tool, see Making a slip edit.

To skid an edit using keyboard shortcuts, do the post-obit:

Select theRipple Edit tool.

Click the edit points at the In and Out bespeak of the clip. Choose a Ripple In, followed by Ripple Out.

Enter trim manner past pressing Shift + T.

Perform a sideslip edit while looping playback.

You can also use this technique in the Timeline. Press the keyboard shortcuts for Trim Forrad or Trim Backward, or use the numeric keypad.

Slide edit in trim mode

For details near slide edits with the Slide tool, see Making a slide edit.

To slide an edit in trim style, do the following:

Select the Ripple Edit tool.

Click the edit points at the In and Out point of the prune. Choose a Ripple Out, followed by Ripple In.

Enter trim mode by pressing Shift + T.

Perform a slide edit while looping playback.

Yous tin also utilize this technique in the Timeline. Press the keyboard shortcuts for Trim Forward or Trim Backward, or use the numeric keypad.

Asymmetrical trimming

Asymmetrical trimming tin be performed in both the Timeline and in trim fashion. An asymmetrical trim is when a combination of Ripple In and Ripple Out edit points are selected on different tracks with ane edit point selected per rails. If in that location is more than one edit indicate selected per track, all edit points move in the same management.

The duration of the trim is the aforementioned on all tracks for each asymmetrical trim performance, but the management that each edit point trims left or right may be different.

The primary direction of the trim determines the chief edit point. The principal direction of trim is determined by clicking a tool, using a keyboard shortcut, or clicking a button, and is the same on all tracks for each edit bespeak that matches the primary trim blazon.
The edit points that do not match the primary edit point type trim in the opposite management. See Specifying Primary Direction for Asymmetrical Trims in the Timeline for details well-nigh how the primary edit point for an asymmetrical trim is determined.

Find that the direction of the shifting of the trailing clips left or right are the aforementioned on all tracks, which assistance to keep all tracks in sync. This shifting is due to the fact that the tail of the trimmed clip moves in a different direction for a Ripple In versus a Ripple Out edit bespeak.

For example, if you drag an edit point to the right by x frames with the Ripple Edit tool, then ten frames are added to the other edit points that are ready upwards equally a Ripple Out points. Conversely, ten frames are subtracted from edit points set up as Ripple In points.

Note: These edit points do not actually motility, but reveal more of the caput fabric of the clip. Abaft clips on all tracks shift to the right by ten frames.

Combinations of Trim In and Trim Out trims are not considered asymmetrical even if the side of the edit betoken differs, since the motility of the edit betoken is e'er in the same management and there is no shifting of trailing clips.

Specifying Chief Direction for Asymmetrical Trims in the Timeline

For asymmetrical trims using the mouse in the Timeline, the primary direction is practical to the edit bespeak that is dragged. If you select and drag an edit signal, information technology determines the management and the primary trim blazon. For case, if you click the mouse to set up a Ripple In trim on Video 1 and drag to the left, then all the Ripple In edit points that are selected on whatsoever track trim to the left and all the Ripple Out edit points trim to the right.

When using keyboard shortcuts for timeline trimming, the primary trim type is used from the previous mouse drag or trim mode operation, if the edit indicate is still selected. If the edit point is no longer selected (or yous never used the mouse or trim way to trim with the main type), and then the edit point on the highest‐numbered video runway with a selected edit indicate, or the lowest‐numbered audio rails if simply sound has selected edit points, is used as the principal blazon. Its direction is specified past the detail keyboard shortcut.

Restore Trim Selection

Restore Trim Choice restores the last set up of selected edit points.

To acquire how to select multiple edit points, run into:

Selecting edit points
Select multiple edit points

While trimming a clip, you can select multiple edit points before making an edit. If you accidentally click out of the selection, you lose that selection. If yous do lose your selection, you tin set a keyboard shortcut to restore it. For more information, encounter Keyboard shortcuts in Premiere Pro.

To set and customize keyboard shortcuts, see Customize or load keyboard shortcuts.

Things to call back:

Restore Trim Option restores the last selected edit points.
If yous are in Trim Way, hit Restore Trim Option restores the edit points and returns y'all to Trim Manner. For more information, see Piece of work in trim mode.

The Restore trim selection action is non part of the disengage stack. This simply restores the last selected edit point or points. You cannot keep hitting the shortcut to restore trim selection and going back through the selections.

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Source: https://helpx.adobe.com/premiere-pro/using/trimming-clips1.html